---

What if myth wasn’t just a story — but the map of reality itself?

In this episode, we sit down with Peter Fae, founder of Into the Mythica and lead storyteller of a decades-long real-life quest. Since childhood, Peter has experienced the world differently — perceiving patterns, archetypes, and elemental forces woven into everyday life. At 13, a direct encounter with mythic beings set him on a path that would carry him across continents, through libraries and mountains, and deep into the living tapestry he calls the World Tree.

For over 20 years, Peter has walked what he calls an “epic quest,” seeking to understand the law of correspondence — how our inner states shape our outer experiences. His journey bridges ancient Norse and Celtic myth, yogic and magical traditions, and modern storytelling, revealing how myth is not a metaphor but the architecture of our lives.

Through Into the Mythica, Peter helps others locate themselves on the Rainbow Bridge — the symbolic map of consciousness — and discover the “song” of their own story. His work shows how fate, free will, and synchronicity weave together, and how each of us is both a character and creator in the unfolding myth of existence.

This isn’t about escaping into fantasy — it’s about recognizing that the mythic is the deepest reality, always present beneath the surface.

Topics We Explore:

• Peter’s childhood encounter with mythical beings that changed his life’s direction
• How myth, story, and synchronicity reveal our “coordinates” on the World Tree
• Why seeing life as myth can bring clarity to chaos and overwhelm
• The difference between “law of attraction” and “law of emergence”
• How to find your own melody — the song that wants to move through your life

Connect with Peter Fae: https://intothemythica.com/ 

Learn More about The Viking Academy: https://www.vikingacademy.com

---

---

 Episode Transcript: 

Hi everyone, welcome back to the Viking Academy podcast. This week I have Peter Fae on the podcast and he is the founder and lead storyteller into the mythica.com. Um, this is a interview that will boggle your brain. You'll either have a huge aha moment or you'll be going what the [ __ ] are these two guys talking about? So, it's interestingly enough, when him and I first started communicating with one another, he was expressing things to me that I had a hard time wrapping my head around.

It's about the interweaving of the Norns, the tree of life, the rainbow bridge, and how everything comes together into the tapestry of your life and how your life is a song and it's a thread in the um the Norns have have have woven your life through a thread. And I and you know, I'm probably really screwing this up. I'm not doing a very good job of it. When you hear Peter talk though, he expresses it so vividly.

Um he's got an incredible backstory as well, basically seeing the world totally differently from everyone else. And then he had this incredible experience age 13 where he directly encountered um three mythical creatures, mythical entities, shall we say, that started him on a life quest. He's been on a 20-year journey um what he calls his his uh eth epic quest. He's returned back. He started into the mythica and he wants to help people see the coordinates of where they land on the rainbow bridge on the tree of life and how it all interwebs interwebs together.

Um, again, I'm not doing this a very good service about talking about it. So, instead of me babbling on bastardizing this introduction, why don't we just get into the podcast and listen to what Peter has to say and what him and I get into. Again, it's uh I've had a huge aha moment with this podcast. I hope you do too and it doesn't boggle your brain as much as uh it might.

There you go. So, let's go explore. Hey, Peter, welcome to the podcast. Thanks. Thank you so much. Super happy to be here. Right on, man. Hey, so we were just having uh just before we came on here, you were saying that my field you said my field did not represent uh what an accountant. Yeah, because like I was looking at your thing CPA. I said, "Wait, okay." But then I was like, "Yeah, but he feels like like a musician.

He feels like like like a mythical character. Like I could feel the resonance with you of someone who would explore that aspect of their own depth." And so I was like, am I missing something? You know, something doesn't really vibe, you know. Yeah. Exactly. Exactly. No, no. I I jokingly I call myself the recovered accountant, you know. I don't do that anymore. Um I funnily enough, I've had conversations with a a few uh I've had energy healers and soul soul guides and I've done some past life progressions.

Um, and uh, apparently I made a contract with my mother because my mother wanted to be an accountant and uh, they moved here from Norway, moved to Canada from Norway and then she was um, she she always wanted to be a teacher, a math teacher and I guess I made a contract with her to in the womb to be an accountant but it's I've always been uncomfortable in that role because I just, you know, I've been always trying to break free of the shackles of the traditional accounting firm model and that's why I've created the accountant success forms.

I have a consulting company showing accounting firms how to break free from the I call it the tyranny of the model. Um but yeah, I'm I'm a rock and roller at heart, man. We're actually we got a we got a show coming up in February or in September. We're going to be playing in front of 8,000 people. It's called Riff Landy in Victoria. So, it's it's it's uh it's going to be epic.

So, yeah. Wait, wait. In Victoria? Are you in uh are you in Canada? Yeah, Victoria, British Columbia. I love Canada. Yeah. On my journey ac along the world tree, which is what my whole thing is about, right? Is like uh Canada came what arrived for me. I actually in the full-on real life mythical quest that's been into the mythaga actually had a suit of real life magical armor made for me at the base of Mount Elephant Stone right across the ferry from Vancouver in uh Gibson's.

Yeah. Yeah. Yeah. Yeah. Yeah. Right. And I was actually thinking about that. I was like, "God, at some point I'll pull that out on the call. If if if the little background thing allows it, I'll kind of squeeze it into the thing." No, that's awesome. So, let's So, here's the thing. I I want to let's get a little bit of a back backstory here before we get into the meat of this and start kind of exploring it all.

And again, you know, no scripts on my podcast, man. This is just like we're gonna full on, you know, I have no concept of that whatsoever script. I'm not even like that. Uh, I've lived like I come from like such a super organic like in the- moment space that I'm like for real now I went on a quest I started a quest 20 years ago to discover the real magical world and this became like a whole thing like you've heard the idea of the law of correspondence.

No, so below as within so without. Okay. Yeah. Yes. Yes. Yes. Yeah. Yeah. There's a lot of different brandings on it, right? But the basic idea is that your inner vibrations create your outer reality. Yes. So yes, you're saying that the architecture of like the threadwork of the Norns like right of your incarnate form uh you know was you making a contract with your mother around this particular geometry this like this like melody shape like in the great song right and now that's playing out as your life and then you're having a certain moment.

So for me it was like the uh the law of correspondence I wanted to see it's just like like as an explorer I wanted to discover what the nature of that was you know like do we encounter the outer reflections of our own energies this is the basis of all the self-development stuff right the way I see it and it was just like I went on a quest I left New York City in 2002 to like go on the quest balls out full commitment, you know, as a bard, as like a modern storyteller, musician, so on and so forth, to discover how that was.

And the quest led me all over the world. I ended up studying magic, like for real, in the mountains of Lake Tahoe, um, living a very, very Norse, Celtic, like real American gods type story. Oh yeah, like for real. And then I came back like for real and I brought back photo proof of it, man. I did it for 20 years. I was like, "All right, man. I'm gonna do this." And what came back was like the the the gift of the goddess.

I came back with direct perception of what people call the world tree, what they call the rainbow bridge, you know. And I saw that all of that was like that was the weave of the threads of our fate and fortune. It was like super biking. Yeah. Yeah. Oh, it was hard as [ __ ] Yeah, it sounds Well, it sounds like it. So, so hold on. So, what did you do be What were you doing before you went on this and and what called you to do this?

I was I was born I'm like a uh I forget the the Norst phrasing for it, but I'm a I'm a seer. Like I was born with um Yeah. And so I'm like that archetype. So I was born with like a real overwhelm of the impressions in the accasha in the space where everything happens. Okay. Right. And this was like this was like having access to the range of the pitches and melodies and the colors and the sensations of like the music of the universe but not being able to filter.

So you all well sorry. So if I can translate that into kind of more terapirous speak is that like when you were a kid you could sense things happening but you couldn't quite articulate but you couldn't articulate it properly. It was like a mutant power. It was like I was feeling the shape and the and the texture of people's thoughts and emotions and the structures beneath the structures beneath the structures beneath the structures of things.

But it was a cacony. Okay. So, it's like so I it's this is very cool because I actually have this saying uh on the Viking Academy website and as I've been creating the Viking Academy and that's why I said I've been this is all about exploring. I said go explore the mind, your body, your spirit. Like be a Viking, pick up your sword and go explore yourself. And and it's a it's a process of discovery.

The Viking Academy is still a process of discovery because I'm still kind of figuring out what the universe really wants it to be. But one of the things I've said on the website is who you are is screaming so loudly. I can't hear a word you're saying because that's something I say to people a lot because when I meet people and they start telling me stuff and I'm going okay your mouth is saying one thing but your whole who you are is a totally different thing.

Yeah. Just to get thatic perspective. Totally. Yeah. Yeah. And so, but you see that at a super sub like clear level like you could see who they were. So, like all their actions and how they're behaving you're going okay that's who you think you are but it's not who you are. Who you are is underneath that. I mean after 50 years right of trying to understand. So what happened for me was that um it it was like a mutant power right so it's like I don't I haven't lived the classic models of most people's stories.

I've lived like a real life defined by my perception seership in this like direct existential thing where a lot of the structures that people have in the world uh they didn't even occur for me like in a real way. I had a lot of trouble dropping into what people considered society and other patterns because it was it wasn't like dude it wasn't like I had clarity you know what I'm saying for many years I had to develop that right and that's what that's what drove you because you didn't have the clarity way to articulate it until you went and you did this [ __ ] Viking full immersion and then you had then you had your aha but okay so let's go back to that you're you're seeing things you're not following when you say not falling into this typical structures.

What what is an like an example that the listener could could kind of hold on to? Right. Because I I'm I think I'm grasping what you're saying, but I just want to make sure that I'm kind of bringing it. Okay. Okay. Okay. So, all right. The Mythica is an ongoing experiment for me. So in the grand equation, right, I had just gotten back from the Quest like three years ago. Like I had started out with like money that I had inherited in 2002, right?

And then I used that to power the Quest. 2016 that money was gone. Then I was on donations with an apprentice, right? And in 2022, by this time I'm now like living in Carneia, the magical parking lot of Narnia when you live in your car. Yeah. Okay. Gotcha. Dude, that's like the true name of something, man. Everyone's like, "Yes, I understand that." Okay. Right. And I was working at the libraries because my devotion uh is to Saga, the goddess of story.

Right. And where what I was looking at was that and this actually ties back to there was a moment when I was about 13 years old, right? That I've actually mapped all this out in the 20 years of my quest. It's on into the mythica. I'm still it's in a process of discovery. I'm still refining it. It's been like building the spine of something and that's why it's taken me. So, but in 2022, I was like working at the libraries because that's like a sacred place to me living in Carnea. money was gone, everyone was gone.

It was like that. And uh my fellow uh divinator, my fellow Norn essentially, Cassandra, who I'm living with right now, she was like, "Come back to Tahoe. I have a place for you." I came back to Tahoe and at this point, and this is I mean there's so many layers to the mythopoetic significance of it. It's like when I arrived in Tahoe in 2022, we had the most snow in Tahoe that we had had in like 50 years.

So, it was like full-on Asgard conditions, right? I mean, like like like 20 ft of snow at my house in the mountains with a couple of dogs and with burning stove, you know? And so it was like when I had come back from the quest in 2022, I had come back and was in like the return of the king vibe where I had left in 2002 to go on the quest from New York City.

Had a whole number of adventures that led me to the academy where I studied the magic divination. Went off to prove the law of correspondence. then came back in 2022 with awareness of the sorry going all the way back. I'm almost there. I'm almost there. I'm almost there. Yeah. Going all the way back when I was 13 years old, I had an encounter with uh the muses of story, song, and dance, which would be collab, uh uticor in the Greek mythos, right?

I mean, like literal connection with them in a lightning storm and the rain and the lightning. Oh, yeah, man. That's too That's too [ __ ] cool. I just had a visual there of this happening and I'm like, "Oh, that's wicked." Yeah. Right. I mean, I see you've got, you know, you've got the gl the lightning, you know, on your chest. And it's like the and the and lightning and and rain and the light the aspect of that storms and story have really been my embodied aspect.

So when that happened and I was a kid, I felt myself draw the energy like an absolute devotion to story, song and dance, but all of those together really story, right? And as an anchor for my consciousness, which was all over the map and that became a devotion ultimately to Saga, the Norse goddess of story. And I noticed that my do you see where I'm going with this? like the throughline of my story. 13 year unaware as a kid, overwhelmed, 13 years old, having a crux moment of connection to the goddess. 2002, 30 years old, going off to leave New York City to go on a quest for 20 years, studying the magic, documenting the quest, documenting the beats of the story in service to the goddess of story, gradually living the full-on mythopotic life to come back in 2022.

Then the last three years have been me organizing everything bringing it back to Yeah, man. This is the into the myth is like a growth experience for me too. Yeah. Okay. So, so just to come back, so when when you were when you were a kid and you were having these moments and you you said you weren't you were kind of living you were living your own perception of the world as opposed to you you I mentioned it and I'm hopefully I I rephrase it properly. it was the constructs or the or the the the the framing that everybody else was living by.

You weren't you said you weren't living by those. What's an example? Like what's an example? I'll give you a perfect example of this. Okay. And I hear what you're getting at and this is important, right? So dig this. in 2005 on my quest and remember I I really locked this in with images and stuff like that so I could see it and ultimately is to help other people like okay listen I'm you guys are living a mythos your whole life is about divining the shape of your story right and so it's like figuring out where we are in the ske of the Nords in the threads of the nor fate and fortune right fate and fre and so in 2005 I went and saw this uh this vadic divinator And this dude was like, "Wow, in 10,000 readings, I've never seen this." And I'm like, "What?" He was like, "It's like you have no karma." And I was like, "Okay." It's like you're like a tabula raza, like a blank slate, right?

Yeah. Right. So, and this was like kind of grounding for me because I was studying divination. I was trying to understand this is me wanting to ground out my perceptions. Right. So when when we say that I I couldn't understand the forms that make up a lot of the world, right? The the way to really contextually understand this is that from a blank slate perspective, Tabular is a blank slate, right? all of the systems that exist in the world.

Even the idea of like lighting a fire, making food to agriculture, production, writing, music, all these are all learned forms, accounting, right? Yeah. Concept of money, commerce, everything. All of it. Yeah. All of it. It's all made. It's all made up. It's totally. But it was made up. Oh, totally. And it was occurring for me as like shapes, right? like just like shapes in the field itself and I couldn't grasp those shapes like I couldn't understand the basic mechanics that people operated by.

I was experiencing more of a everything is one thing and it's like when I walked through the streets of New York City in the rain because the rain is my best friend. I was just resonating with the dava of the rain. So I was far more resonant with the actual elementals than I was with constrips of civilization. I'd realized that these were just patterns and that people in their current incarnation that the self itself was just made of a bunch of different patterns that it was now negotiating within itself which created its point of view.

So it was like I was looking at point of view itself as being something that is is defined by the shape that we're being. Okay. Okay. Okay. Now I hope the I hope the listener caught that as much as I did because it just it it made sense to me now. it just the concept of the fact that we're nothing but a bundled sense of conditionings because that's what like our sense of self and you know it's all this karmic or so we call it karma or conditioning or whatever you want to call it you know I don't really care what we call it as long as we're talking about the same thing or we're conceptualizing it no totally totally but we have all this karma and this that and you know like I have ancestral energy that's come with me and that and that filters or blocks my con or my my ability to see reality for what it really is, right?

And so I everything everything is a and I love how you talked about the story. Life is a story, but it's the story I tell myself when I have an when I have something I'm reaching for and it's the story of this is what I'm going to do. This is my quest. It instantly orientates me to one area and at the same time hyperfocuses me on where I'm going, but at the same time blocks me out from everything else. you coming in as a blank slate saw everything all at once and saw you weren't in the perception.

You weren't in the the conditioned form. You were actually seeing the conditioned form all around you. You were seeing everybody living their conditioned form, but you weren't in a conditioned form because you were a blank slate. Right? And I couldn't understand the systems that people were coming from. They were occurring for me as like vast elemental tableau that were overwhelming. So I was like in a constant nervous you know people talk about regulating their nervous system.

I was drowning in my senses all the time. Oh, bec okay. Because you were because you didn't have because if I'm understanding this correctly because as we get conditioned, it not only orientates ourselves on where our conscious where our focus is, where our attention is and what our attention isn't on, but it actually creates almost a an insulation barrier to all the other inputs because there's gazillion millions and billions of inputs coming at us at the same time. this filtering system, this conditioning that we've been living actually acts as an insulator and it stops us from but you being a blank slate again you had just you're being bombarded and I didn't have the accumulations of the car to make sense of I would actually stand in front of the stove I mean at like 30 years old I would stand in front of a stove trying to grasp that you cut things up and heated them like it would just my awareness of Those things would flicker in and out.

It was like I wasn't experiencing Midgard, like mortal plane, but I was seeing the the leaves and the roots of the tree. So, it's like cuz so this this eventually became a real hardcore understanding of the structures of the self as like melodies within the fugue of fate and fortune. This is like the thread of the norms. How did you function? Like, how did you manage to function through all that time?

It was super hard. No [ __ ] Yeah. Oh, it was super hard. So, what I had to do was So, I was drifting from one state of being to another. This was the whole thing with the Mythica. I'd walk through the streets of New York City and I'd be in like one state of being, right, where I'm like having a grip on things like like it wasn't constant. Some days I had it, but then other days I didn't.

And then I'd like shift abruptly and be in like this completely different space. I mean like you're like you're involuntarily moving from like mushroom state to like mundane to this state to that state. And I was like what the [ __ ] is going on? And so what I started doing was I started using my camera which was occurring for me elementally as like captured lightning. Like even the concept of like I'm going to adjust the f-stop.

I'm going to do this thing. It wasn't even like that. You know, you were capturing You were literally capturing lightning. Yeah. It was like I was wielding. That was your That was your That was your If you almost think about it, that's like the caveman's way of explaining high technology, but we have the construct of technology because we have all those layers of again madeup concepts that we've talked about and created, but the gay man would look at and go captured like capture lightning.

Yeah, that's what it is though cuz you're Yeah. No, it is. Yeah. You know, it is. It It is. That's the funny part is that you're explaining it in simplest terms possible, which is like you're you're capturing the lightning. You're capturing the light, right? Yeah. Because it's because it's a relationship with the the elemental dava of that. So, people have got if you go back to the vadas, it took Okay. So, it took me a while to realize that I was having what a lot of people consider to be a really realized yogic consciousness into the structure of things, right? that I wasn't adorned with like the various filters that people had.

So I was seeing things more as their base elemental layers, right? It's like say like okay this person is made of acade and seeing the chords of consciousness in a structural way that then gave rise to the pantheon of personalities. So like and so what I was what I was witnessing we could totally unpack that but what I was witnessing was this realization that I mean it's like in a short terms in a very like Asgard way it would be saying we are the gods living at the current octave of ourselves we are made of the elements whether you look at aryveda or Chinese medicine or you're talking about the vibration we are made of the planet earth air fire water and ether.

Right. Right. And when you're talking about the element, when you're talking about the element, you're talking about the elements. Elements or elementals. Is there a differentiation between elementals versus elements? Do you you use those interchangeably? You're made of the dava. So, yeah. So, we're this. So, we're made of the earth. We are of the like um who I heard someone mentioned it once. It's like we're we're stardust. Yeah. Like we're all we're all stardust.

Yeah. Yeah. And and so like I mean I literally just did a midjourney video because the whole thing I did in in to the mythica was like you know like you know how like Bork or Tulle was like really does these really awesome videos that communicate the emotive signature of the piece in a visual way like I resolved to do the modern bick and create a way to show my Sears vision to help people see the nature of their self and where they are on the beastro. ondesel like on the rainbow bridge like on the world tree because what I came back right was to give them the coordinate point of you are living in this realm.

What do you mean by that? What is Asgard? What is Midgard? What is the realm of scarcity? What is the realm of abundance? What is the realm of wholeness? Like what is that? How do you arrive in those circumstances? You know what I'm saying? Where it's like you're now in the vibe where certain conditions are happening. But this is like a vibe of like what creates conditions which brings us all the way back to the law of correspondence.

Where are you on the street? Yeah. So, so to to again to you know what's really you know what's really cool and interesting is like when you sent me when you sent me the the email and you said, "Hey man, like I'd like to be on the podcast. Let's have a chat." I'm like, "Okay, cool." And then you sent me a whole bunch of other texts and you were explaining things completely.

I was reading it and I was like going I had no [ __ ] clue what he's talking about. Like it was so all over like I couldn't I couldn't understand it. Like you it was so like what you were explain like just now I I wonder if the listeners having the same effect of that but as you're talking and you're explaining this to me now as we're in this same energy space like I get it like now what everything you're saying makes sense to me.

It's like where where are you? Where's your coordinates on the rainbow bridge? And so, so we call it whatever anybody wants to call it, but where are you in the in in the coordinates of reality? Like, where are you in reality? And and and and what's your see, for me, the big thing is what's my song? What's the story I'm here to play out? What's the my part in a universe to play?

Right. There it is. as as a as a I'm like a recover I'm a recovered alcoholic as well. And so I'm I'm constantly my the whole ethos of the recovery movement is to basically surrender yourself to God or the creator or the universe or whatever you want to call it like a higher power. It's not not a Christian and it's not whatever sometimes like you know it doesn't seem to matter what I call it.

Ala Buddha Brahma baby Jesus it's all branding. It's just not it's all branding. Like I thought about a way to explain that to the people. I don't want to blow your charge. Yeah. If I could just say I thought about a way to explain that to the people rather than getting to the kind of cliche, well, whatever you want to call it is okay. Yeah. It's all branding. It's branding. Magic the same manifestation.

Yeah. Is it Pepsi or Coke? It doesn't matter. It's sugar water. Sugar water. It's like it's sugar water and caffeine. Sugar water and caffeine. Oh, okay. Well, is it Coke or Brandon? Right. So, and but but the thing is it's like and and again for the Viking Academy, it's like who am I? Why am I here? And what am I here to do? Like what is my what is my purpose? How do I fit into the tapestry of, you know, where do I fit into this this this world?

And so into the mythica for you, you're saying like you help people find their coordinates on where they're at, right? And yeah, I I just don't I don't want to put words in your mouth, but what I'm hearing you say is that you again, you came in as a blank slate, overwhelmed, all these these things coming at you. And I've been noticing lately for myself that I'm seeing things more for what they are.

Like I'm not seeing at the level that you're talking about, but I can comprehend what you're talking about because I've touched it enough that I've gone I've seen that everything that goes on in this world are constructs. They're all imagination madeup things. Like we're on layer upon layer of madeup ideas. And people are willing to kill and fight and steal over over Big Bird from Sesame or no, Mr. Snuffle from Sesame Street.

Remember Mr. Snuffig? He was like a a fictional character that nobody could see except for Big Bird while we're all just fighting over this imaginary creature, this these constructs that we were we're doing, right? And I'm thinking, how insane is the human condition to just continually fight over [ __ ] that we've made up instead of goingane and right it's complet we're completely nuts. Like we're But this is the thing. This is what I was on about was that Yeah.

I began it again, Tabula Raza. I had no idea that people were like this. Like I actually for real for real I thought everybody was the gods. You thought everybody was what? Gods. Like I saw everyone as these bundles of elements that are representing these core geometric patterns. So I was looking at like the ways in which like oh you're a goddess you're a god to me or you have these qualities or with all like the tamber of like of like someone's tones and it was just like it was like almost it was interchangeable.

I was seeing things in terms of geometries that then my whole inquiry into the mortal condition and my devotion to story saga right and my documentation of my timeline was the documentation of the thread like the Nords you're born you're measured you die right this goes the Viking thing like that's for real you know and I started to realize that the mortal condition you know we are spiritual beings having a mortal experience because I'm like so spirit coming into the moral plate first as well as I can tell the first time I'm just like whoa everything feels like this woven braid of fate and so when I start really looking into people's trip and again I don't not understanding the world I'm coming back and I real gradually but the whole thing is about the idea of agency it's about the idea of like my will I create my reality or I'm going to surrender to divine mind will, right?

Which is a divination into will. Oh, no. It's my subconscious will pushing against my conscious will. I'm going to do some tap it out to try to pick all of which seems to relate to the blooming of the seed of one's true story, which is not to me a manufactured story like things just mean have meaning because I say they do. It's like this idea that there's actually a song that through us bingo which is the will of the creator.

So this the will of the will of God the will of the creator is that the and so just for the listeners here like you've mentioned a bunch of things well a lot of things that are probably they're scratching their heads because I know that I did when you were talking about a bunch of stuff before but like who are the what are the nors? Can you explain to the listeners what what are the norns?

Okay. So in my work, right, I went on the real life heroic journey starting from a place of like celestial awareness. So for me, documenting the thread of my timeline. So like your timeline's like a thread. It's like the string of guitar, right? Yeah. Yeah. Like a thread. And there are events that happen on your timeline like the frets of a guitar, right? And those events have meaning. Those are the major events in your life right on that level.

But the thread itself is only just so long for this incarnation, right? This to show you I'm showing a thread. So yeah. Yeah. For those of you not not watching the video side, he's holding up a Totally. I'm holding up the thread, right? And so it's just like the thread of your life. This is in every major mythology because what I was on about was because I was experiencing things on a real mythopoetic kind of like super shamanic nonadorned way.

Everything for me was this relationship with these existential forces that I wasn't caught up in the cultural interpretations from a diminished consciousness. I was having more of or an obscured consciousness more to the point you know because people everybody had it's just buried right and the norns for those who aren't familiar is all mythologies this is why I say live your myth and into the mythical all mythologies are actually ways of interpreting the from my point of view the human movement through the archetypical patterns of existence that are related to the basic nature of nature The most basic aspect there is that you are being mortal in this.

You're being Eric right now. Yes. Yes. Yes. Yes. The norms or the mor if I'm pronouncing it right in Greek are the arctypical. They're always shown as the weavers. So you've got the one first I actually forget their names in the Norse context but just but it's just like the the first one weaves out the thread of your life. This is your string. This is the guitar string of your life. Right.

Okay. The second one measures it is how long it's going to be. Right. The third Norn cuts it. This is when you're going to die. The entire concept of the weird in the Norse vibe as I experience it, not from a cultural thing, from like direct perception is the weave of all of those threads of the timeline that make up the synchronicities of our stories. not just as our individual thread, but as the way all of those threads come together.

Okay, got it. So, this is where when all of a sudden you're seeing synchronicities and you're seeing coincidences and you're banging to the just you're you're you're just connected. That's where the your individual life threads are touching one another and they're having this synchronicity and it's it's you're you're you're seeing it happen in front of you, right? So, but we're talking about Yeah. The Norns are like the fates. They're they are the fates.

They are the fates, right? Because a couple times you've in the communication and the conversation here, you've gone and you've talked about you've been talking about some like some biking terminology, but then you've shifted talked about the vet as well. Like you've shifted in and out of some you're when you're talking about the vet, you're talking about like the aonads and the vet like that's why we're to use the example of Arjuna, right?

Because again, Brand totally I'm with it. I'm with it. Right. It's like branding. It's like people have cultures. Cultures are karmic uh but they're impermanent and they're made of the elements. The elements are more constant than the cultures. People's sense of identity is even less constant than the cultures themselves. It's like the flatsom on the top of the wave. The culture is like the wave in the age, but the elements of the ocean, right?

Yeah. It it's we're all Yeah. Okay. So in case I didn't articulate it for the listener there where I was looking at the fact that Peter was bringing in all these different I like what you said to brands like it's a different brand right it's the branding of the different so the aanads or the the vet we'll call it the Arjuna the story of Arjuna um it's all about free will yeah yeah but it's it's in that branding it's like he's saying that you have right to the action but not the fruit of that actually.

Yeah. Yeah. Yeah. Yes. Exactly. And so those are the three like Rajas, the Sat Satva and the and um Tamas. Right. So that's like the the um the Bagavad Gita is one of the greatest. I love that story. I love the Bagawad Gita. I read it. there's something that resonates in it and they so here's something that I I I love that you brought this to or this is bubbled up is that I' I've always found so far that when I go deep into any of these different shall we call it religious teachings or spiritual teachings there's always an underlying thread of commonality through the whole thing and you've simplified it down to say well it's just the elements it's it's it's that's the that's the through line is that you're born, you live, you die, you're made of the elements.

You're made of the elements. And it's the each cultures interpretation of how to express and explain, shall we call it the unexplainable in the best way that they possibly can. So like, you know, the limited perspective because of our limited perspective, because of our because of all our conditioning that's happened over time. So then you've got you got the Christians over here, you got the Muslims over here, you got, you know, you got the Jewish state, then you have the, you know, the Buddhists and and and and it it's just because of the limited ability to see the whole because of the conditioning that we've had over time.

Yeah. But they're all different brands of the same store. It's they're all it's all, you know, like Coke and Pepsi. It's all colored sugar with some caffeine. Yeah. It's all the same thing. It's made of water, sugar, and caffeine. Totally. But if you're not in it, you know how like you're feeling the vibe now that you and I are in it. Yeah. This and this is something I observed in the field, right?

Because I'm, you know, I'm very connected to like So, just to point something out, right? Let's say someone is made of like the real strong the energy of water with the energy of like fire as lightning, right? And they've got this energy. Maybe they're like a an Aries, you know what I'm saying? you know, they're like something something something. Whatever those systems are, whether it's human design or terror, it doesn't matter, right?

They're a they're the embodiment of that quality, which is the quality of a Thor or a Mardik or a or an Indra, right? Or a Zeus. Okay? Commonality is lightning, storms, water. You know, you see what I'm saying? So, for me, when I had the resonance with the storms, lightning and storms are always my thing, right? Yeah. I mean it was like dude there was a moment on my quest when a friend of mine calls me up this guy Michael Ravenwood calls me up and he's like hey Peter and I was I was like a really I was the profired dancer right he calls me up and he with the sword and other stuff like that and so he calls me up and he's like I have to go to vipasha not he's telling me he's going to vipasha right the Buddhist thing and he has this thing where people gets into a full-on chain mail suit with like rubber sold old shoes to stand on top of like in a lethal field of electricity with a Tesla coil behind him on a coil in this armor to move the energy in some way.

Right? So, he's now wielding a sword to channel the energy of the ambient electricity to cast lightning bolts from the sword. and he has received a divination that out of all the fire dancers that he knows. I'm the one to do that in while he goes to vapasha. So I go so I go to this studio in LA, right? And I'm having this whole mythopo poetic experience of like I'm being called on to embody the it's a whole thing.

And I'm there and I get into the suit of armor and I'm feeling the lightning going around me and I'm channeling the lightning you know through the thing and as I step outside what is there but Mjolnir herself the hammer. Yes. Yes. Right around my neck. Right around your neck. And I've photo you know it's like and this is a studio prop but still the appearance of the form of Molir yes is the thing itself and with the lightning and then I'm going back on my apostic timeline to my connection with the storms and the lightning and my own alchemical configuration and I'm like right I'm an aspect of this aspect of the pantheon of selves not bound to the the limit of thinking like oh nobody else's no I see everyone else as that thing as like an infinitude of pantheons of of characters who are embodying these elements.

We are the gods and then we're just in a diminished state right now because of our awareness. People get stuck in their patterning and conditioning. And so what I tried to do in into the mythica was give people a way to structurally look at to to share my story as a seer to start off with and then use that as an example to help people see the the melody of their myth because if I say like you know this is that this is your melody line now, right?

But it's also your timeline, right? So in this case like the frets on the guitar. Yeah. Am I crushing it with the simp simplified it? I'm trying so hard. Right. So the frets on the guitar in this context are like the key moments on your story which is relative to the elemental nature of your string which is now what you're investigating on your story. And that's a movement through different very real positions coordinates in time space.

You're at where are you at? You're in laws right now. Yeah. I'm at the in-laws. Yeah. Yeah. Yeah. Yeah. Yeah. Right. As compared to being in your basement. But also, you were in a different state of being than you were vibrationally when what I was saying wasn't comprehended completely. But now that we're in it, you and I are in a different place. Like if I were to say that right now in this instant vibrationally as compared to before we dropped in, we're closer to Asgard than Midgard as a state of being.

Would you get what I was saying? Go. Yeah. Okay. Yeah. Yeah. Yeah. I see what you're saying. Yeah. Right. Yeah, because Midgard Midgard Midgard is if I was to say call it like so Earth for those who are trying to follow what the hell you and I want to honor your I'm trying to honor your branded, you know. Well, but but it's it's to to be on Earth uh is being in a state of uh it's an illusion.

There's illus illusory uh aspect to it because of all our conditioning on how we see it. But what you're explaining is more true sight like seeing the actual of what it is which is a it's a that's what I love the um I I love the the Viking branding shall we get around you know with the rainbow bridge and and uh for those of you are not watching the video site in the background Peter's got the the northern lights going in his in his in his virtual background.

It looks really cool. Um, but we had, you know, we had a big Northern Lights show happen here last year in uh, Victoria, which never, I've never seen it before. And they just I was standing outside watching this and just watching this this the Northern Lights just going crazy. And I swear I was sitting there going, "Oh, hi." And I was like here in the guts. I said, "Yeah, this is we're here." Like I could see how that branding of the rainbow bridge and when the when the Norse when the Vikings saw this in the sky, they went, "Oh, those are the that's the bridge the gods are coming on." You know, that's where they're coming from.

Yeah. This is so this is the understanding. This is my understanding. Yeah. Okay. So, when I went out on the quest and I'm documenting it with photos. So, I'm documenting the beats on the melody. Yeah. Right. with photos to see my timeline in order for me to make sense out of my overwhelm. Right? Okay. I'm looking for the pattern. I'm like trying to figure out what the melody of my story is, right?

And it's I'm realizing that as I was traveling, whether I traveled up to Mount Elfen Stone, which is just a quick ferry ride across from Vancouver, and I got the Elvish Armor, or I traveled to Windlaw, which is a little bit north of of Nelson, right? Uh near the Cinies, which is right near the Valhalla Mountains, right? And I joined the Mythmaker Circus, which was led by this cat, Heronoshi, who himself is a deep Viking avatar.

What I noticed was my studies in Tahoe and for those of you who like who were just listening to this, you know, just to say I'm actually moving my hands back, you know, right and left to kind of suggest where I was on the timeline. So it was like, you know, say from just for the audio listeners, right? So from like 2003 to 2007, I am at the academy in Lake Tahoe studying divination.

So, I'm learning the association between what I feel is the elements, the archetypes of the tarot, but then I'm also understanding that we and the land are one. This is a big deal because it's like the reason most people are they have problems because they're they're dis they're disjointed from the earth. They're disjointed from what really is, right? We and the land are one. So, it's like I'm noticing on my timeline, on my story, on the melody line, right, as it moves through the different measures of my story that I keep encountering these Vikings, these reincarnate Vikings, these reincarnate Kelts.

I keep encountering like magicians and witches and Jedi of the modern age. And I'm realizing, oh, I share certain elements with these people and that's why we're arriving in the landscape of each other's stories vibrationally. And so could you you also uh if we were to rephrase that is that also say call it the law of attraction. Yeah. Well, it's more like the law of emergence, you know. So how do you how do you differentiate those two?

The law of attraction versus the law of emergence. because it has to do with the idea of agency. Like it has to do with the idea that you are attracting something that is made of the vibrations. Therefore, in like a sculptural additive way, if you keep holding a certain vibrational tone that that vibration is going to emerge in your field like that to me is the idea of the law of attraction or that you are building up a charge of a certain vibration.

Yeah. That you're okay. That you're actually that you're actually call it free will that you can change your the way you think and behave and therefore you can bring you can attract. Yeah. So yeah. Okay. So this is where the people So again, you know, the secret and the law of attraction is like, oh, just keep thinking it and eventually you'll attract, you know, a million dollars to your to your bank account sort of thing.

Not necessarily. Yeah. But I know I know not necessarily, but that's they call it the law of attraction. Law of emergence is who it's like who you are is screaming so loudly I can't hear a word you're saying. It is speaking back to you and one of them is like right. Yeah. So where this is where and this is I think where the I like the idea of exploring your life as opposed to creating your life.

You like creation saying I'm the creator of my life is more of a free will. I'm going to create the law of attraction and bring everything to me that I want as opposed to I'm going to explore who I am and how I fit into the timeline so to speak. You know what I mean? those two concepts. No, you're getting it. This was the core thing and this was the thing I had so much trouble with because I'm so aware of fate.

I'm so aware of fate. Yeah, right. I'm like a I have a Viking sense of like questionable fatalism because it you of like perseverance, you know, because it's just like like certain things like I don't know how much wiggle room there is with that, you know? And my path in a lot of ways has actually been like Udin's path like somewhere in between Ud and Odin, right? where it's like I have literally felt bound to the tree of cause and effect for years and then came to see the nature of the tree.

So like when we talk about like if you if you imagine that like everyone's timeline is a bunch of strings inside of like a harps accord or better yet like the threads of a tapestry, right? Okay. You're seeing the most people are only looking at their timeline. It's super myopic, right? But it's just like if you look at it, all of our timelines are interwoven because underneath the Vadas, underneath the Norse, underneath the Celtic, underneath the CR D branding, branding, branding, there is no separation.

Yeah. Because it's all one. It's all one. We're all one. It's all one. But the problem is is that people see it from separation. So everything they're saying is coming through that karmic lattice. It's all coming from an unrealized state. Oh, I got I got a whole bunch of things that have just gone bang bang bang that I want to ask you. Okay, so Okay, I'm gonna ask this one for I'm gonna just I'm gonna keep my fingers over here to the side.

Anything you want. I'm so happy to vibe with the fellow musician who's like the Yeah, this is wicked. Okay, so first of all, what what is um Oh, and it's going to slip away from me. Yeah, there it goes. Slipping away. Bang, bang, bang. Just bang bang bang. So here's one of the things that I've noticed lately is this awareness for myself. I I I've actually one of the times that I've looked around and I and I went you know what I I have I used to think oh there's my insides like my inside go inside world and then I started looking at everything out here and I went oh these are my outsides like in saying the world this is my outsides.

So there's my insides and my outside and everything else is my outsides. But then that didn't quite feel right. It it it felt kind of good for a second, but then I went, "No, no, no." I went, "No, there's no inside and outside. It's all just me." Do you know what I mean? Like, but it's all but it's not me from an egoic sense where I'm going, I am all of this.

And like Jesus, it wasn't a quote from Jesus said, "You are God's sons, the most high." Like he basically said, "You're all gods because you're all made of the same um material, the fabric. It's all you're all one. It's all one. We're all one at the end." Right. Yeah. Thou art that. So the conversation is like people they're out of tune. Do you know what I'm saying? Because you can't because we can't see because we're we we think we're separate but we're not.

We're all one thing. But for the moment when I when I embrace the thought of it's all me. But at the same time I get to play this one part. I get to experience this one part intimately known as Eric. That is the gift that the gods gave me or the creator gave me was to experience Eric in its fullest form and all its nuances. And that is I think the biggest gift we've all been given is the gift of ourselves to ex to experience ourselves.

Totally. And then when when you when you when you when you resonate at that level, it's no longer a egoic heavy, oh well, it's me, myself, and I, which is like this whole selfish. It's not selfish anymore. It's it's filled with incredible gratitude for seeing the world for what it is, but being grateful for the fact that you get to experience this one chunk, this this resonance. It's interesting because, you know, in my journeys through the through the mortal plane, right?

And it's like just to just to just to say something, I'm going to touch on this. You know, I thought about your branding, right? because I try to be like supportive and it's like envision that mind, body, and spirit are a set of coordinates spatially. Now, what we're talking about is where what world you live in on the rainbow bridge, which is also where you live in the roots and branches of cause and effect, synchronicity.

So the world tree which is the roots and branches of the world we're made of the tree right so our nervous system and our spine and our karmic architecture are a part of the tree part of the forest right we are arriving at very specific moments I'm sitting here in my apartment in Menlo Park you're lost right in time and space but in the dimensions or mind body spirit these are the coordinates where people can live in the higher octave of themselves they can live in the lower octave of themselves, right?

Or it's muddy. It's muddy too far down on the bass, right? And or it's like it's it's high and it's piercing. You can't even deal, right? And it's like, but the melody transposes your story transposes across the octaves. So I I'm it's hard to explain this to people. It's actually simple if you understand it, but it's difficult to conceive of. Look, if I say when people talk about the threads of fate, you're talking about the individual timeline in a weave of all these other timelines, but then that is defined by the reality that people live in a the illusion of separation.

They're not seeing the holism. So all of the problems you have in the world, there's only one sin. It's the envisionment that there's separation from yourself and the divine. And and everything stems from that error. It's an error, right? But it's also the thing that a misperception. A misperception. Yeah. Yeah. Well, a misperception, which Yeah. Yeah. An error. I mean, it's not seeing something as it is. I I understand why I'd like saying stuff that's judgmental to not trigger.

No, no, no [ __ ] I'll do it. I'll be judgmental all day long. No. Yeah. It's just [ __ ] wrong. You know, it's just [ __ ] wrong. No, it's like, you know, it's like, dude, I'm I'm in key. You are not in key. No, you're just you, Dude, fix the guitar. Like, come on. Like, serious. the guitar. Yeah. Yeah. I like I just I was watching the I was just on a sidebar.

I was watching the uh uh Back to the Beginning that was Aussy's tribute, his farewell concert that he did, right? It was so epic. There was so many there were so many artists there. But you know there's the one singer from uh down uh uh Disturbed and he's one of my f and he does a in haunting rendition of um uh of the Simon and Gar fun tune. Dude, I was just The sound of silence.

I I couldn't think of the name. I was going to say it be The sound of silence. Yeah. Oh yeah. Yeah. Yeah. Haunting rendition. Love it. I love that rendition. But you know what? When he plays when he sings live, the dude is tonedeaf. He's absolutely tonedeaf. When I listened to him on back in the beginning, he was off a little bit. I saw him live in Victoria or in Vancouver. I don't know what key he was singing, but he wasn't singing the key that everybody else was playing.

Like he was so off and like everybody's like, "Oh man, he's such a great singer." I'm like, "No, he's [ __ ] tonedeaf. Like, it's so bad." And but he's But the the song when he recorded The Sound of Silence, man, holy crap. It makes me cry every time I listen to it. So good. But yeah, so Please. What's that one? Lover, you should have come over. Yeah. The the And this is funny how these different songs.

So So when you're talking about we're we have our song or our our our our song that we're playing, right? Well, it's all like the key like the keys of a piano and like sometimes really really high, sometimes really really low, but there's a sweet spot in the middle where you're just in that flow of of going with the song. You're in the flow of the music, right? And this is where this concept of, you know, is it fate or is it free will?

That concept, and I remember what I was going to ask you is I get a [ __ ] ton of deja vu. And I remember I was getting it a lot when I was a kid, like a a younger kid. And I remember it started to really freak me out. Like I thought something bad was going to happen. Then I had a really nasty car accident. And I before that happened, I kept telling my mom that something bad was going to happen to me because I had this really bad feeling.

Boom. Had the car accident. She goes, "Oh, I believe you now. I believe you." But I've come to reframe that deja vu. Now it doesn't scare me anymore. It actually brings me comfort because I'm like, "Oh." And I think I'm going to take what what you've the code that you've given me there. It's like, "Oh, this is the Norns. They've they've just given me a glimpse into the tapestry. They're giving me a glimpse into the tapestry and I get a shot of seeing it.

And then when I'm reliving it again, it actually every time I go through deja vu now, I actually calm down. I relax because I'm like, "Oh yeah, right. It's all taken care of." I like and it kind of ground it grounds me. Do you know what I mean? Yeah. No, totally. I mean, for me, because I actually went through a really deep query into is God good or just neutral? You know what I'm saying?

Yeah. Yes. Yes. Yeah. Because if you go because you coming back to uh the bag of adita the story the story if you anybody listeners here if you haven't read the bag of adita read it it's incredible the story starts talking about like seeing the godhead and it's terrible and terrifying and nashing and it's just it's just not only creating light but it's destroying life. Like it's this it's not all this, you know, rainbows and unicorns, right?

God that's just loving and caring and it's going to give you cuddles, you know. Yeah. No, that's only real at festivals all the time. Yeah. When you're really high on ecstasy totally everybody wants to touch you. I love you. No, I love you, but I love myself at last. You know, I I love you more. Um, but you know, do you know back in the day when I would go dancing, I would take some ecstasy.

I was super into, you ever see David Bowie doing the uh the contact juggling thing? I was actually Mike Motion doing the contact juggling thing in Labyrinth with the ball. Yeah. Loady ball from that movie. I got so into that. I I looked at it as like this uber precision of like uh of like, you know, graceful movement and I just got super into it. That's what I did when I would go dancing on Ecstasy back in the 90s.

Yeah. Well, that's one that was one drug that I never tried. I never did that. Um, so anyways, we could go down a whole rabbit hole what I did. And but here what I want to get back to is this concept of like I really energetically is what I've been I've been I because I've been a very c cerebral person like a lot of thought and and a you know university got my CPA designation tax pecialist was a CPA you know in a in a big multi firm for 18 years like trying to make it with my brain right and I'm still a very deep thinker and I think about a lot of things, but I'm moving more to a where's the feeling?

Where's the feeling go? At the same time with my head going, okay, just cuz it feels good maybe is not good for you. Like I'm not talking about following something that's bad because again, I'm not going to go out and go, you know, have a bunch of sugar or alcohol or anything like that because it's not good for me. But when I think about life now in terms of does it does it feel right?

Do you know what I mean? like it's does it feel right? Is it resonating with and I like what you've said is that string is is it resonating with the song? Is it re resonating with the thread that that I was here to to to to play out totally. Yeah. Yeah. So, and then and and I'm kind of likening the it's like feeling is the answer. There's a great book by uh uh Neville I believe it was and he wrote this book.

It's called feeling is the answer. But it's about feeling the way through. So when I start looking at life and like, okay, does it feel right to do this, right? And I can tell right away that in the past whenever I didn't quite follow my gut, things didn't turn out very well. But if I always followed with my feeling, does this feel right? Yes. But at the same time saying okay Odin all father whoever if if I go into with like an opening and say this is what I'm going to do does this sound right to you and if I get the message or the the signals come back yes this is what you do then I go do it but the here's the big key for me is not attaching myself to the outcome of whatever I'm going to do and not say well if I'm doing this then go like what people you know the humans have been God told me to go and do this because this is the glory of God and I'm going to, you know, free and then they go do horrible things and and you know in the name of God.

I'm not talking about that. I'm saying asking the creator, is this something I'm supposed to do? Yes. Okay, great. I do it, but the results are what the Norns want. Well, but but this you know what I mean? Like No, I totally know what you mean. And so this is this was part of my investigation. So coming in as a Tab the Raza, right? I didn't understand the basic mechanics of being human.

It was like ignorant, right? So I'm having to learn all these incarnational patterns from like nothing which is what was so difficult, right? Even though there was like the perception of it took me like decades to ground it by documenting with photos and being very meticulous. And for me it's like one of the things I wanted to give people in the mythica is like what is the the game world of you know like the world like you know as a kid I play Dungeons and Dragons right and or I you know even now I'd play Skyrim or play Little Balders's Gate or something and it's just like the it's looking at the idea that you are your higher I was looking for a way to translate what I'm saying to the people cuz it's like if I were to say there's no separation people first of all they have no concept what you're saying because they're so deeply in that, right?

And then if I say there is a landscape to your story, right? Like a mythopoetic landscape that's made up of your subconscious patterns, but that those patterns are a part of the planet. That you're all a part of the planet. And so there's like a parallel between your inner conscious, subconscious, collective unconscious, the archetypes of consciousness, elements of consciousness, and like the layers of the planet. Like I got into this whole thing I call the grove of life, right?

Which is helping people to see essentially the tree of life in the cobalistics format, the world tree in the Norse format, the tree of stories as I'm saying because I'm wanting to give people away because I know that they're divining their timeline. I know they're doing that. I'm doing it. We're looking for who you are is screaming out what is the story of you. And I was looking into like what is the landscape of that story?

So, having lived the heroic journey, I'm like, "Wow, I'm like literally walking the rainbow bridge." And this gets back to the to the branding thing and the Northern Lights thing that I've got behind me where I'm saying that from my super structural these tones and these tones together make up this chord of consciousness. Super structural, right? The colors of the rainbow of the chakras, right, are the northern lights. They are the movement between like the god self, you know, the more realized self and the less realized self inside the mortal condition.

They're the movement from like Asgard to Midgard. And you're always on the rainbow bridge. The rainbow bridge is your spine and the electromagnetics of the colors of your rainbow. These are states of consciousness. But what I realized was this is the killer thing is that the vertical line of your spine. Yeah. And the horizontal line of your timeline where you are at those two places. Right. And for those of you who are on the audio, I'm actually doing something where I'm holding my hand up straight and then I'm putting my other hand up perpendicular to it to create like a like a cross point because I'm I'm saying to Eric that like this is where you are where in space in the ethers.

So it's it's very structural. Do you see what I'm saying? Oh I it just it just hit me like I could see it like I could sit. So that that's where your coordinates are. That's my coordinates is the the spine is the vert the spine is the vertical the time horizon is the horizontal and bang I'm right there that's right there time space and dimension mind body spirit are your branding right would be the coordinates of where you're at this is what I was saying it's just like so if I'm in windlaw right in BC right if I'm in windlaw near the cinney near the Valhallas and I'm hanging out with a bunch of people who are vibrationally made of the Norse energies which a very distinctive vibe, right?

And I'm near the Valhalla Mountains that have that vibe, right? And I'm coming from the mountains in Tahoe where I'm studying stuff as a divine or as like a norm. And I keep encountering other Viking and Celtic people on my path because of vibrational resonance. That's where I'm at. So, did did that make sense? I've been trying to land that with people for a long time. You know what I'm saying? Yeah.

This is So, this is one of the things I was gonna I I wanted to get to and ask you is like into the mythica, right? That's that's your that's the website, right? Into the mythica. Um and and what are you're tr So, I understand you're trying to help people see what you see. Yes. Right. So that what what is the fill in the So they're better able to understand the song that wants to come through them because the melody of that song is constantly repeating on their timeline.

They just don't see it. Okay, got it. So you're Yeah. So into the mythica is the purpose of into the mythica is to help people see and sing and help people see and play their song, right? And we're what I'm doing is I'm illuminating my story to begin with gradually, right? because I'm still like assembling everything because this is a major thing. But I've got enough out there to share with people and do the videos explaining the nature of this is the thread of your timeline.

Here's an example from my timeline. This is the repeated beats on your story. The melody, the alchemy, the things that sit inside of me, the wonder and the fine and the thunder and divine and d right. And how like your story, Eric, born with what? Karmic patterning of what? Lineage. Yeah. Right. And self-identity. That's ego, right? I'm not I'm not harshing on it. I'm not harshing on it. I'm just talking about your thread.

No, it is. No. No. And you can harsh on all you want. It's not going to That's not my intent. It's not my But no, because people think of ego and they're like, "Oh, they they get hurt." Well, if you're getting hurt, that's because I touched your ego the wrong way. No, no, no, no. people uh my experience is that people conflate the idea of ego with shadow. Yes. Yes. But it's not if you didn't have an ego, you'd step out in the middle of the traffic and get hit by a [ __ ] ego.

I mean, you have to have ego. Ego's ego helps you survive and live. There's nothing is identity. Yeah. Ego is identity. You know, in the recovery movement, it's we talk about that it's an overinflated ego that's the problem. It's an ego that's out of check. It's like, shall we call it? I'm playing too high on the notes, right? Or too low on the notes on the on the thread of my life.

I'm just I'm I'm vi I'm down here. It's too low. I haven't I haven't found the sweet spot of the ego. I haven't found the sweet spot of the sound of the song, right? Like getting into that sweet spot, right? It's like you're trying to get into the zone of yourself, but the the techniques are and that's why it comes back down to like divination. So, when you were saying this is my guidance, I'm going to drop into the soma.

I'm gonna listen to my gut as compared someone who's like the universe gave me a sign. Right? So in describing the game world of incarnation to the people, right? I'm really giving them a lattice where I'm saying it's not enough for me to say you are we're all a part of the planet and that the roots and branches of the mycelial weave of the planet and the the roots and branches of our nervous system and our subtle body are actually fractals of the same thing.

And so the mythopoetic way in which we envision ourselves as whatever we do in our mind is actually also a whole layer on the planet. It would it's like people it's like trying to describe to them the idea that that there's another layer to the land that most people are only seeing the top half of the land like you're sitting in where you're VC or something like that right or sorry VC.

Yeah. Yeah. Right. But the on the lower layer of the land or the deeper layer of the land it includes where we're at as archetypical embodiment. That's like in there in the impressions and that's where our stories meet. But it's like the underpainting. Most people are only looking at it on the surface. So I'm saying to them that when you're looking at your timeline, like your story, your story is occurring, you know, you're you're boopping around, you're getting in the car, you're going to a show, blah blah blah blah blah.

But also on the outer on the outside, but on the inside, you're going through a whole process of moving through the archetypes, of being the fool, of being the king, of being the this, of being the that. You're going through this melody of like, oh, I want to heal my relationships with myself and with other people and this is somewhere in my soma and I'm going to do some anti agenda or I'm going to do some practices to heal this, but all of this I really wanted to clarify this for myself and then give that to other people to be like, okay, clearly I'm experiencing a oneness thing, right?

How do I explain the specificity of someone's individual storyline? So if I say to somebody that if you're made of the vibrational impressions of Egypt, money, abundance, wrong use of power, and all these other things, then that's what's going to play out on your timeline. You're going to encounter the redemption of the use of power. You're going to have circumstances of money. This is karma, right? And it's looking at the structure of that to give people the game world in order for them to divine their timeline.

So that if someone is saying like okay well the four came to me the lightning came to me Odin came to me in this way I resonate with it that resonance itself is a divination into your thread of your song when you you just said something there I want clarity on this when you said divine your timeline what do you mean by that well it's the divination is the investigation into form so it's like you know divination as a general term a lot of people associate like I studied the tarot right a A lot of people associate it with like tarot or astrology or human design, but it it's really the act of inquiry.

So divination is when you are divi you're divining for water. You're divining for answers. Oh, okay. Sorry. Yeah. Because you you you mentioned because I think of I hear divination is different than divine. Like divine and divination, you're using them interchangeably. But when I hear the word because I hear divination and it's like go from the Harry Potter, you know, show movie or whatever and they're talking about divination. Divination. It's like it's it's that divine is like it's been divinely inspired.

But you're actually using those two words interchangeably. Well, because if everything is ultimately like the threads of fate and fortune as part of the divine mind, Arjuna is, you know, he's the roots of the action but not sorry to the action but not the fruits. All divination is a divination into the divine mind. So all is a divination into the threads of your story. Yeah. You're now divinely through your body and through your consciousness.

So if you're listening to your gut, it's like you're trying to make decisions based upon a sematic divination. You're you're tuning into you're tuning into the frequency of the message. like this. It's like I I what I talk I had one of u my guests on and um he was talking about the life he goes I I see the world as um an escape room goes it's like it's one big escape room.

It's like where you're trying to figure out like you're you're you're trapped in you're trapped in an escape room and you're trying to find a way out, right? It's it's finding those clues, but it's not an escape room so much per se as rediscovering who you are, why you're here, and what you're here to do. It's like getting that song and and enjoying it. That for me is the big part. Like I really want to live with passion.

Like me, I'm like I'm [ __ ] so not an accountant, right? Like I just want to play rock music, be loud, I do coaching, I get me up in front of, you know, 8,000 people, 3,000. I don't care how many like the more the better and that's energy for me that's respect that's that's what I want right I like living with passion and purpose I find that the more I understand who I am and why I'm here what I'm here to do that fills me with that energy to go oh this is what the norans have in store for me this is the song I'm supposed to play out this dude this defines the healing journey so when I talk about someone's string like their thread of fate right this is your mortal time this is what's going on and then I talk about the mythica this is the mythopoetic landscape of your heroic journey that's occurring as you walk along the string that's what I'm saying right but then I'm saying as that's going on and this was what I learned in my questing because I'm like what's going on here like why am I like why did I have to go through so much shadow like to unleash my voice to feel good about this to have access to my magic right to my power everyone's going through that now we're talking about now we're talking about shadow resolution and I was of the like What the [ __ ] is going on?

Why do I even have to do this? That's ridiculous. Like, I'm having access to my powers only when the lightning strikes and then I'm back in the storm again. And that's crazy. And then now you're demanded to do all this healing work. But the healing work, I realized was defined by the uncovering of your actual story and the life force that comes from that. That's like the vitality comes from totally. You know what I'm saying?

Yeah. Yeah. Yeah. Yeah. That's that's that's what I'm saying. All of a sudden once you start uncovering who you are and why you're here the you tap into the like the divination like the divination you're looking for water all of a sudden you find the water you find the energy boom that's the energy when you find out that who you are why you're here that what your story is what you're talking about then you get this infusion of energy that's beyond it's you but it's beyond you so to speak like it just totally rushes you and you now you can go now you go Right?

Like, and I always picture the Vikings. It's like now all of a sudden they're like, "Grab the sword. Now we're going to go live with Let's go do this now." Right? Because now I'm I'm in this. I'm I'm engaged in life because I am life. I This is all my It's all part of it. And I like that's the thing with the Vikings is like they wanted to die with a sword in their hand.

Like they wanted to die fully engaged in life. And for me that is like I think the ultimate ethos of just fully embracing who you are and that's what's going to give you the energy and just go live it like just go. I'm all about that and that's the thing that's difference for everybody. So then the nuance of it and I say this for myself is that getting to that thing is so hard.

Getting to that thing is the quest itself. You have to be perseverant like a Viking. You gotta be in that. And it's not easy and you can lose your passion because you got this is why I was God good. This is so brutal. You know what I'm saying? Life is hard, man. It's hard. Hard, dude. Yeah. I mean, I like the myth of it. Yeah. But not like I'm like there. I'm showering at the YMCA and I'm and and it had this feeling of like I have this majesty of ability and I'm like going through all of this process to get to it which brings the question is there like a benevolence to it?

Is there a purpose to it? Is there a meaning to it? How do we even realize that we want to get to that thing? And how do we hold our attention on that when everything around us is distracting us? I don't want to get into how we're const people are constantly being programmed by like false media which is like kind of why I part of why I designed into the mythica. Oh, you the programming this cell phone this programming device is cell phone.

It's like just it's the the ultimate um brainwashing material. Everybody's like glued and just staring at this. I'm like wake up like what are you doing? Like let's let's but then this defines the journey from the head into the heart. So now the microcosm of that comes back to your journey where we're saying like if I were to say that you having a real solid state of numbers is part of your musical excellence and also the accounting excellence and now you're coming from a lineage of magicians on a karmic line that's coming through the mythos of the Nordic thing because that's your bloodline.

But all these things are impermanent forms. They're just weaves cats cradles in the norms gain. It depends on the level that you look at it from. So when someone's saying it's an escape room, you can be talking about like liberation, like escape from incarnation. Like that's like the full on enlightenment, right? Or you talk about cuz and what I realized early on the quest because remember I'm not like familiar with the earth, right?

So it's like what I realized early on the quest is like most people don't want to enlighten. Not really. No, they don't. No, they don't. No, no, there's my point. There's very few that that like because I've always felt like ome well no I shouldn't say I've always felt because I was very unconscious for a long period of time but I was always like like now I'm just constantly going there's ah there's something not quite right and I've got to find it but energetically soon as I go embrace the suck embrace the hardship because that is part of your temperaments that's your tempering that's how it's it's it's it's forging you into what you're supposed to And instead of whining and complaining about the suck is embracing the suck as part of the process.

Yeah. I mean, but that's, you know, that's it's that's hard to do, you know. Oh, it's not easy. No, it's No, it's not easy at all. I mean, I was charging it like a Viking for years, years and years and years. Building something that people couldn't see. Feeling as though the people around me are like dharmically aligned with me, but they're not getting what I'm saying. Now I'm trying to ground out what is essentially like a realized celestial direct perception of the threads of the of the world tree into people who don't get it.

Yeah. And I'm not receiving like the life force that's coming from the thing. By the time I got back from the quest 2022, I was in victory. I was exhausted. I required like Elder Norn Cassandra to show up and be like, "Yo, we're going to like like she's the healing waiting at the house. You know, you come back from the the war, you're done." You know what I'm saying? Now you need like some soft for a couple of years to recover.

And that's why like and I'm coming forward now. It's like it it's like it was but this is the cost of the quest itself. This is like the bringing that to the people. Like when I was a kid um you know this gets back to like you know when I played the video games, I played role playing games and I was like I want to be of service to something greater than myself.

And so when I tracked the mythica, going back to that metaphor for a second, I was saying that like just like in a video game where you're going through all these different terrains, right, like the realm of the elves or this or the Shadowlands or whatever, those are real territories in the human consciousness and that those games are a model for looking at us as spirit going through the landscape of our story.

Look, you're traveling through the shadow lands. You're traveling through the Brightlands, meaning like it's hard, it's tough. Your mind is working against you. There's addictions, there's other things. Now, you're getting to the Brightlands where you're having access to your life force, but that's a landscape that really goes on and it's made of the energies of your chakras. So, it's all really simple. It's all the same thing. You see what I'm saying?

It's like the vertical line, the horizontal line, your movements along your timeline, the the roots and branches of the world tree, the threadwork of the tapestry of the Norns, the one's nervous system and how that's the armature for all their karmic patterns, all relate to your individual character. That would be Eric's movement along Eric's timeline. Yeah. Eric's inner and outer world facing Eric's challenges, Eric's revelations, Eric's lineage. And that's happening for everybody, but it's also happening in in a world where you're meeting other characters in the space.

So, it's like really grounding that out for people. It's like my whole thing has been like, how do I give you guys the landscape of your legend, which is where your story unfolds, and then lock that into where you are on the planet? Like if I were to say I was in British Columbia when I got the elf and stone coat, which the Elvish armor I have, right? And then I went over to Windlaw, right?

Those are real GPS coordinates. So again, the coordinates, but there I was encountering people who were of like the elf vibe, right? Or like the Norse vibe, you know, those kind of tambers to the instruments, right? Why was I encountering that vibrationally? and I was locking it down into the coordinates in order to show the architecture of my melody so other people could see the causality of their story. And even though this can seem it is big, but when you really bring it back to the individual, it's like what is your story?

Whatever it is, it's playing out on that landscape. What is your song? Whatever it is, it's playing out on that landscape. for characters that are part of your pantheon of characters that's happening on that landscape on that world. So in giving people into the mythica, I'm I'm giving them the context for the unfoldment of their individual story and the collective story by showing how we how we we all arrive in each other's.

Like for example, this is the second podcast I've done, right? This is the first really official one I've done, I think. Right? Oh, I landed to someone who's into the Viking thing. Why? Oh, I ran into another musician. Why? Everywhere I've gone, I I thought about the story. He's carrying the sigil of muoler around his thing. I had the story tell him this thing about the lightning. Why did that even come up in my mind?

What's the resonance from? What's the vibrational? You see what I'm getting at? Yeah. Yeah. Are these characters in the great story? So, a lot of the time it comes down to what what is the divination? What gives us the life force? And what are we doing? We're investigating the occurrences in our life. What is it related to? our relationship with fate and fortune, the norms. Every hero, every heroine, every they undecided, whatever, every heroic adventure, whatever someone's selfidentity is, right?

Every adventure wrestles with the fates. Every it's about fate because every story is about being mortal and what is faded and what is not. Every adventure goes through their challenges. everyone. There is a chord progression that is somewhat consistent like 1451, right? There's a chord progression that is somewhat consistent of consciousness that is the hero's journey, right? What are we doing? We are divining the seed of our story, the song that wishes to be heard through us.

We're divining the strum of the string of our story and its vibrations in the great song. So it becomes about divination. It becomes about what is it about uncovering what I call the treasure within. Who is the true rockar? Eric whose last name means I looked at a pacheti pt. The sun the warm hill. Sunny hill. Yeah. The sunny hill. Yeah. You know what I'm saying? And it's just like it's it's like all of these things are the they're the map of our meaning.

They're they're related to identity. Most people they don't want to say like these are all bathrooms inside the consciousness that's it doesn't matter. They don't hear that [ __ ] They don't want to sit there do vapasha just breathe through the sematic impressions until they dis until they're no they want to investigate their story. They want to be like you know who am I being in the great story. And so I wanted to communicate that in the mythica.

And so I'm in the process of sharing my timeline to give this understanding of the concept of like no there's a landscape like a video game that you're going on like when I was in Windlaw and I'm there with Harris full-on Viking and I'm there with a bunch of other circus performers like there by like the waters of British Columbia it's nice and clean right the Valhalla mountains are right nearby I've just come from hanging out with a bunch of people who have like this total like tribal working with stone kind of a vibe and I'm like I'm living the mythopoetic life encountering these people.

How do I give that to the people? Like what's going on vibrationally that I'm running into them? Which is actually the same vibe as why are you and I encountering each other in this moment? Yeah. Does it make sense like since we're right now? Everything you said made total sense and I hope I I no I totally get and it's beautiful because it's that and and that's why there's so much alignment like I'm my brand shall we call it right with the Viking academy is go explore go explore yourself the self you're here for a reason I believe you're here go the creator made everything for the Norns created the everything for a reason and there's a song that's being played out for everybody it's it's totally in alignment I totally get it I hope the listeners get deep into it.

I would recommend you they listen to it again because the the podcast again to get a little deeper because I've had a bunch of unlocks like I call it um um some some codes like all of a sudden I go click okay and now I I understood that right because when we first like I said when we first communicated I didn't quite didn't quite understand what you were saying everything you just said there was beautiful and I totally get it dig dude I've been trying so hard to like signal to noise man I'm like trying to communicate something to people.

So that's why I created all the graphics and that's why even though my story isn't fully published yet, but I've got it on the back end of the Mythica, I'm going to start creating graphics with me talking and sharing. I'm going to do some interviews with characters from the world that I've met because I want like if I say for example, right? Okay. So, when I went up to Ashland, Oregon, right, which is, you know, south of uh you know, of Vancouver and um like on the west side and um if you don't know, which you probably do, but just like of course you do, respect, right?

So, right. So, if I went down to Ashlin, Oregon, Oregon, and then there's a place there called the Goddess Temple of Ashland, right? that was created by my friend Gra and another friend named Jumanna who really represented for me like the earth and the water priesthoods. And then I met this a woman who I you know was in relationship with a while named Dakota Chanel. Dakota is living the mythos the thread line of being like a water priestess a Magdalene priestess.

I'm sure you've heard this moving through the space, right? She's been like the redemptive Heros Gamos thing, right? And what I'm saying is that everything on her story, just like mine has been super Viking, hers has been very like Magdalene going to France, reading the the Magdalene manuscript, like encountering people who are into the water, healing of the divine feminine, Amriita orgasms. She's living on Kauaii. Like she's living on that thread line.

And what I'm saying is is that when I got there and I witnessed myself in that realm with her and this was more of the Avalon vibe than the Norse vibe, right? Because the textures, right? It was more of that kind of vibe. But that's a real place. Ashlin, Oregon. The Goddess Temple's a real place. Grail's a real person. Jamanna's a real person. Dakota's a real person. All of this was a pantheon of characters that was inside a landscape of like mythos.

And if you look at your melody over time, you'll see that there's a consistent pattern there, a consistent shape to the melody that is your sacred story, right? And so I always say that looking back is, you know, hindsight's 2020. You start understanding Dr. I don't know if the listeners know Dr. Wayne Dyer, but I he was beautiful speaker. I I got a chance to see him once in Hawaii. But his last book that he wrote is like I can see clearly now because he went back into his lifetime and he and he started showing the he could see the pattern and he could see he he could see what was going on and everything made more sense to him looking back.

Right. You look back totally. Yeah. Yeah. So it's into the mythica. So So here's the thing. Um, you and I are not finished at all. We better wrap up the podcast here, but you and I are not finished because I can see there's going to be some collaboration work between you and me to bring into the Mythica out. And and I think what you're what you're saying here and like I captured everything you talked about is that is bringing it down to a level that people can grasp it at first and then we elevate them up through what you talked about, right? is bringing them up into the consciousness of that because again like I said when I read first read the the the the emails I looked at it and I was kind of like what I don't understand but now that we've had this time together like the more we're talking I'm like oh yeah I totally see it now like I feel it I understand like I I I got I I I feel it I not only it's not just head space it's a feeling that it that I can I as you're and and and I love how you you articulate it right.

You've articulated it in a and it's a beautiful articulation. Thanks, brother. No, and I'm totally down. Like, I feel us getting into it. You know what's interesting just to say is that like for me getting to the point where I'm going to embrace the world and I'm going to connect with people and I'm going to share what I'm on about has been me facing the fullon shadow of my like oh my god I don't want to deal or of my own overwhelm as a child to get to the life force where for me going from the okay I'm going to write about it and I'm going to publish this to people like from a distance it's not really what I want but you know I was kind of feeling a bit heartbroken to Oh, wait.

People can't even get it unless I come out. You You have to Yeah. No, you dead. This like who you are is screaming so loud to me. I can't hear a word you're saying. Like, you need to be out and having these conversations, right? In order to get to this like that facing all of these shadows in order to think and I'm saying, yo, that's the archetype for everybody. Yeah. And so everyone out so it website into the mythica everybody go check it out and Peter you this is like I said this is uh this is the first of many conversations we're going to have for sure dude you're a brother yeah but yeah thank you so much for being on the podcast my friend my pleasure I'll send you an email we will connect and see what else emerges for sure you know I'll even uh if you like I'll send you I'll send you a link to some of the stuff that I'm on about that's like on the back end because it's like you you'll understand what I'm saying.

So, I'm going to give people the structural foundations for like what's your story? How does your story interact? And my whole idea is that I'm going to I'm just sharing this with you, right? It's like I'm creating comics that then relate to the timeline. I'm going to interview the characters like Dakota, like Grail, like yourself in order to bring all those stories into a weave to show how we're all connected in the Mythicus Cinematic Universe, like the Marvel universe, but for real.

And everyone will get to see that when we, you and I, work a little farther into that. Dude, thanks for being on the podcast, everyone. Keep exploring. Keep exploring, brother. Live your myth. Thanks for listening to the Viking Academy podcast. Make sure to leave us your honest feedback by leaving a review on Apple or Spotify, and hit subscribe so you never miss an episode.